Dolomites

Swiss Le Corbusier (1887 – 1965) once described the Dolomites as “the most beautiful natural architecture in the world”.

To photograph mountains not as mountains, but as objects – partly embedded in landscapes, partly free standing as in the studio.
To use the mountain as a canvas that is painted in the interplay of sun and shadow.
To leave the viewer room for interpretation, to create puzzles that invite to linger on the picture.
To rediscover the mountain in its nudity and violence and to experience it anew – immersed in infrared light.